#Never lost amtrac sounds nlike how to

I became aware for the first time of smash hit records, records that really moved the needle culturally, and you just couldnвЂ™t escape it. I remember other songs before the age of 5, and records that were in the family collection, but Saturday Night Fever was so omnipresent. Everything seemed bright, like we had arrived in some sort of a civilization as opposed to these tiny towns. It was dark and fraught with the unknown: Are we gonna be staying here? Are we leaving again? In 1977, we settled in Davis, California, and thatвЂ™s where I ended up living for 20 years. We probably moved 11 times over the course of two years. Sometimes weвЂ™d be living in a house for two weeks, sometimes two months. After my mom divorced my dad, we were bouncing around remote parts of Northern California. Josh Davis: It was a pivotal year in my familyвЂ™s trajectory. Various Artists: Saturday Night Fever Soundtrack вЂњI wanted to try and hold to the format, at least in my mind, of picking things that were fresh and new when they came out.вЂќ

вЂњI didnвЂ™t want it to be revisionist in any way,вЂќ he said. Not surprisingly, Davis took our invitation to discuss the music of his life quite seriously. Listening and producing are two parts of one process. When he hears music, heвЂ™s not focusing on his own enjoyment he wants to know where it comes from, how itвЂ™s put together, and how he might filter it through his own sensibility, whether in a DJ set or his own work. Speaking to Davis, 48, on the phone from his Bay Area home last month, I realized listening works differently for someone who has built their life around sounds found in a record groove. While these documents show what it means to spend your life scouring bins for bits of sonic gold, they canвЂ™t convey the art of listening, how Davis hears magic in a piece of music that others might have missed. A forthcoming mini-doc, DJ Shadow: Lost and Found, fills out the picture since, showing how he transformed that record-digger impulse into a long and varied career, leading to last yearвЂ™s ambitious double album, Our Pathetic Age. HeвЂ™s become an authority on vinyl culture, and in films like 2001вЂ™s Scratch, the artist born Josh Davis talks about searching for lost sounds and rescuing them from oblivion. , weвЂ™ve seen many images of DJ Shadow prowling shops for records (or in the case of the albumвЂ™s cover, friends of his).

Since he first broke through with 1996вЂ™s era-defining Endtroducing.

#Never lost amtrac sounds nlike how to

To be a successful DJ you have to know where to look and how to listen.